What are the top voiceover youtube channels? The channels that you turn to for the best sources of information, education and information for voiceover. Well, that’s the controversial murky water that I find myself swimming in right now. Anytime you use the words top or best to describe anything, you are bound to open pandora’s box. The level of nays can be just as loud as the yays. But as a lover of Youtube University, I find myself looking for the best channels to inspire and inform me on what’s happening in the voiceover industry.
Over the years, there have been many channels and talent who have utilized Youtube as a way of getting out their message, producing content and expanding their brand awareness. Sure, there are other outlets to do that, but Youtube is the second largest search platform in the word. So when people search for the top anything voiceover, the top voiceover Youtube channels will appear right there with their google search.
The problem comes with the disagreements. Over the years, I have heard the mumblings of personality conflicts and staunch disagreements with the methodology and teachings of certain VO Youtubers. Some have argued that anyone teaching and encouraging the use of Fiverr to “newbies” don’t have our best interest as an industry at heart. And these kinds of disagreements turn people off to certain Voiceover Youtube channels. I get it. But I also get that change is dolorous and that regardless of disagreements, the popularity and relevance of the VO Youtubers making these videos cannot be ignored.
How I Decided Which Were The Top Voiceover Youtube Channels
I had to create criteria. I decided that the age of a channel, consistency of uploads, value to its viewers, and entertainment value and how well known the channel is, would be how I decided. I also decided to list them in random order as to not seem to express biases toward or against. Still, there is some subjectivity even in the criteria that could still open itself up to criticism (and me). Still, in good faith, I decided to give it a shot with the disclaimer that these are not mostly recommendations but acknowledgments that these channels have all come across my radar.
Ask Dave Fennoy Anything
Ask Dave Fennoy Anything Streams on the DaveFennoy Voiceover Training Channel every Wednesday at 8pm Pacific time. Dave is a legend in voiceover gaming who also has his hand in countless areas of voiceover. He is an authority in VO Games and Character Coaching. You can catch him at https://www.youtube.com/channel/UCpR7jedutYNue9GU84uS-Cg
The Gift Of Gab
Gabrielle Nistico’s Channel post videos with frank voiceover advice with a witty and sometimes dry humor style that appeals to both new voice actors and professionals. Gabby is a voiceover actor, demo producer and career coach in Charlotte. Her channel can be found at https://www.youtube.com/channel/UC-JhbChXLVwTvgSxrtWpajg
Earl Hall- Earl Hall Studio
Earl markets his brand as a coach capable of taking students from step 0 to 100. He has a number of courses online for marketing your own voiceover career. He runs a free training facebook group and teaches students to automate their voiceover success. His channel is https://www.youtube.com/c/EarlHallStudio/featured
A VO’s Journey
Anthony Pica’s brand stretches across platforms from Facebook to Youtube to Instagram. He is spreading the word of what it really takes to earn a living, learn how to voice actor and run a voiceover business from the perspective of someone who is doing it. Check out Anthony at https://www.youtube.com/channel/UCaSvjdnxdx69qoW9ryuxCjQ
Starting in 2012, Anna Brisbin built a voiceover channel and career from doing impressions from movies, cartoons, and assorted characters. Her channel attracts viewers drawn to see her perform these impersonations. The best part about it is that she did it all from her not-so-fancy, sometimes messy closet with very basic equipment. To date, Brizzy Voices has a whopping 2.1 Million subscribers and has videos that boast 27 Million views. Not bad. Not bad at all. Her channel is https://www.youtube.com/brizzy/featured
When you have a name like Voiceover Masterclass, it just sounds so official. Peter Baker’s gentlemanly British style and consistently give his videos a university type of feel to it. You almost feel as if you should enroll into the channel as opposed to subscribe to it. His videos a purposefully produced and feature a professional theme with the thumbnails. His voiceover youtube channel is https://www.youtube.com/c/Voiceovermasterclass/featured
VO Buzz Weekly
Chuck and Stacy are two of the most known figures in the voiceover business. Few people have as many friends and are as well-liked then the two of them. They have been producing the only Voiceover Talk Show since I have been a working actor. No other voiceover channel rivals professional network shows like theirs does. Each week, they bring you a new voiceover superstar. Catch their show at https://www.youtube.com/user/vobuzzweekly
VOBS- Voice Over Body Shop
Dan Leonard and George Whittam are two of the most respected voiceover tech guys in the business. Dan, who is an accomplished voice actor himself, and “George the Tech” have been teaming up for more than a decade to help make voiceover technology more understandable for users. They host a live one to two-hour-long show each week where they explain VO gear and bring on special voiceover guests. Find them at https://www.youtube.com/c/Ewabsshow/featured
According to his channel, Jordan is a Voiceover Talent, Voice Matcher, Demo Producer, Audio Producer, Audio Engineer, Improv Theater Actor, Music Enthusiast, Tech Geek, Professional Sideburn Grower. It’s that last part that makes you tune in. Not only does Jordan know his stuff, but he’s about making good content that helps people. Recently Jordan has started doing courses to help other voice actors with their sound, an area that so many of us get wrong. His channel is https://www.youtube.com/c/JordanReynolds/featured
Mike DelGaudio dedicates his channel to the tech of at-home, professional voice over. He review microphones, studio equipment and help new voice actors set up their studios from hardware to software so they can make the next great recording! The Booth Junkie channel has attracted 123,000 subscribers and has reviewed Reaper, portable isolation booths, kaotica eyeball and compared cheap vs expensive microphones. Booth Junkie is found at https://www.youtube.com/c/BoothJunkieVO/featured
Bill Dewees is a professional voice over artist and coach. His channnel helps new and existing voice over artists get found, get heard, and get hired. Everything from picking your first mic to how to land VO jobs and get paid. Bill has some of the most consistent content on youtube for voice actors, posting new videos twice weekly. It’s simple in production and straightforward in approach. The channel, like some others, is a gateway to Bill’s coaching sites that guide viewers to success in voiceover. His channel is https://www.youtube.com/c/BillDeWees/featured
Undoubtedly there are other channels I forgot to mention. And for some that I did mention, I may be facing cancel culture. If there are any that I should have put on the list, go to youtube and leave a comment under the video in the comments section. Please try to be respectful.
Working from home has become the new norm. Tens of millions of people had suddenly been converted from office workers to digital home-mads when the shutdowns began. We left our one on one relationships at work and shifted to virtual co-workers, no longer sharing a workspace and the casual conversations at the water cooler. The business trips stopped. The cold coffees in the break rooms ceased to exist. And the things that connected us and gave us variance in our lives came to a halt. For so many, these disconnects made us feel lonely.
I remember when the pandemic started many of my colleagues and friends in the voiceover business joked about their many years of experience working from home. Like them, I had been working from home for many years. As a full-timer in the voiceover industry, you work in a booth, or a closet, or any enclosed space that will help reduce reflective noises. And for most, they come out of those spaces after a full (or partial) day’s work to interact with their families and friends and enjoy activities.
My life and experience working from home have always been different. Before becoming a voiceover talent, I worked in the school system as a substitute and afterschool teacher. As you could imagine, I was never alone. I was always busy, with tens and sometimes hundreds of kids around me. There were parents to talk to and co-workers to congregate with and share outrageous and unbelievable stories about the kids. After school, I hung out with my co-working friends.
But in 2006, after 2 years of part-time voice acting, I made a commitment to being a full-time voiceover talent (after I was fired from substitute teaching). No more hanging with co-workers or seeing the kids. Or conferencing in person with parents to discuss why their kid’s behavior at school was markedly different than it was at home. No mas! And as a result, I became far less relevant to the people I worked with. To make up for this, I involved myself in activities.
What’s So Different About Me?
When I left my job, or rather, when my job left me, I had to find different things to involve myself in. Unlike so many of my friends and former co-workers, I don’t have a family. Over the many years, I have had many girlfriends but I don’t have any children. I don’t even have a dog. For much of those years as well, I lived alone. While I saw even my youngest brother get married and have beautiful daughters, I decided that a life of travel was the path for me.
I am also an introvert who has always forced himself to be social, and it’s worked for me. I have found friends in new countries while traveling. I’ve encountered new buddies while working out in the gym. I have new friends from attending various Spanish meet-up groups. And even found some guys who gladly and repeatedly dropped me on my head doing judo (lol). I have made friends based on the activities that we have in common which has warded off loneliness. But generally, when those activities were over, I was back to the voiceover booth and back to being alone.
So Why Do I Feel Lonely Now?
The pandemic really highlighted how fragile my associations were. It shone a spotlight on how I had medicated myself with travel and meet-ups. It was initially tough and made me feel lonely. Unlike my co-workers who had their children, spouses, and dog to huddle around the barrage of news coming in about the virus, I did not have that. I was actually working doing radio imaging (alone in the booth) to inform and encourage people to stay home. All the meanwhile spending no time producing nightclub commercials, because they were locked down. I was also suffering from health issues that started before covid.
All of the things that I had occupied my time and mind with were crumbling around me. My social interactions have been reduced to social media and a sharp increase in on-screen time. My time in the gym halted and my only exercise was a brisk walk from the studio couch to the bathroom before my bladder gave way. There was no more swimming. There was no martial arts training. Instead, there were short drone flights around the neighborhood with my DJI Mavic; at least until that fateful day when I flew it into some electrical wires (RIP Mav).
Suddenly I was doing nothing but scrolling. My health and good sense dictated that I follow the CDC guidelines. It wasn’t long before I saw posts from here in Georgia and other red states where everyone was back out and about. Heck, at that point the pandemic had just started a month prior and some clubs were back open. Everyone was having fun. They were in the bars, hanging out in Miami, going out to restaurants and I was still sheltering. The gym re-opened in June 2020. Some of my gym buddies went back to working out immediately. Some were decidedly cautious. But regardless, I allowed my membership to lapse and have still not renewed.
What Now? Do I Go Back To Normal Now That I’m Vaccinated?
No! The pandemic isn’t over. 94% doesn’t mean 100% effective and there are still breakthrough infections. The number of people getting vaccinated with both shots is waning. And the anti-vaxers are getting louder. All of this means, that as the summer progresses, I take caution in finding things to do outside with my girlfriend. We still plan to do activities but in a controlled manner. I’ll get back to medicating myself with travel. I have already started flying again, but I take extra precautions. But in all of that, I’ll still be working from home.
The Covid pandemic has taught me a few lessons. It has taught me that people need people and to strengthen the connections that I have with others. It’s taught me that working from home isn’t for everyone. Being a loner is ok. But I don’t have to feel lonely. It’s important to discover commonalities with people and to keep up with them. The pandemic taught me that we are all mentally vulnerable and the necessity to continually evaluate one’s psychological health. I am still learning the value of random calls with the thousands of unused names and numbers in my contacts list. Because when dealing with the stress of toilet paper and gas shortages, we need others to relate to who are dealing with the same crap.
Click here to listen to my last DMX Hip Hop Radio Commercial
A New Urban/ Hip Hop Voice
Everyone Had A Favorite DMX Song Or Line
Dawn, LeShaun, Ines, and Alicia (ooh)
Theresa, Monica, Sharron, Nicki (uh-huh)
Lisa, Veronica, Karen, Vicky (damn)
Cookies, well I met her in a ice cream parlor (aight?)
Tonya, Dianne, Lori and Carla (okay)
Marina (uh) Selena (uh) Katrina (uh) Sabrina (uh)
About three Kim’s (what?) Latoya, and Tina (woo)
Shelley, Bridget, Cathy, Rasheeda (uh-huh)
Kelly, Nicole, Angel, Juanita (damn)
Stacy, Tracy, Rohna, and Ronda (what?)
Donna, Yolanda (what?) Tawana, and Wanda (what?)”
The Making of The Radio Commercial
As a voiceover talent, I do a lot of voices. And I do a lot of voiceover for different genres of voiceover. But as I have expressed before, being a radio imaging voice is one of my favorites. I have nailed a bunch of commercial voiceover auditions and it is really satisfying to book them, but nothing like booking a radio station. Recently I booked KZBT. I’m super excited about this station for several reasons. For One thing, I’ll be their Hip Hop Radio Imaging Voice
Most of the stations that I do radio imaging for are R&B or Gospel stations. I love that work. At 40 plus years of age, I have a grown person’s voice and I actually listen to the music from those stations. But when I entered into voiceover, I was in my twenties and hip hop was everything to me. I did thousands of commercials over the years for hip hop nightclubs. I enjoy that work so much that I go back and listen to my old commercials. So when KZBT called me, I was super excited.
I don’t do as much current Hip Hop anymore. I do a lot of Throwback stations. I enjoy that too but there is a difference from hip hop stations. Hip Hop stations allow me to be wild. I can adlib things in a very unpredictable way on hip hop stations that I can’t on old school or throwback or gospel stations. That’s the difference. That’s what young people like.
The talent who did the voice for the station is one who I respect greatly. He inspired me to get into radio imaging and voiceover in general. But, like myself, he has a huge commanding voice. He makes you pay attention. But there is a new generation of hip hop radio station listeners and they hear things differently. They don’t want to hear a booming voice. They feel that voice may not be talking to them on their level. So many stations are switching to a younger sounding urban voice.
Luckily for me, I can also change to a younger sounding voice as well. If you’d like to book me for your station, leave me a message here on the site and I’ll get back to you.
VoiceoverPete is a famous voiceover talent, salesman, comedian, Youtuber, Gamer and Product Spokesman who gained fame through hard work, ingenuity, controversy, and a bit of luck. Pete Accetturo is a name I had never heard before, but became curious about when his alias, VoiceoverPete began popping up in my Google autofill searches. After several weeks of seeing it, I started to wonder who this guy was.
VoiceoverPete has over 1 Million Youtube followers, a feat envied by the fiercest of Youtubers. When I ran across his name at various times of searching the term “voiceover”, I began investigating and following his youtube channel. That lead me to a barrage of funny and sometimes strange videos. I began to realize that VoiceoverPete was also PitchmanPete and CharacterPete who leveraged his background in sales and marketing to solidify a place in the voiceover world. But his story is not the average, as I quickly learned from his videos. His story is that of controversy and a rift with Fiverr.
VoiceoverPete and Fiverr
His initial relationship with Fiverr can be a story of its own. Voiceover talents have longed railed against the site that neither vets it’s talent nor charges fair market rates for voiceover. The ripple effect is believed to be that clients grow accustomed to inferior voiceover in favor of cheap prices. But Pete disagrees. For Pete, as he explained to me, Fiverr was very lucrative for him, earning him 5 figures of income a month. He figured out the algorithm and how to rank at the top of Fiverr search. He worked hard to promote his brand and with the help of his son, who is a video producer, launched his Youtube channel which attracted much attention.
That attention as a Youtuber, pitchman, and voiceover talent, caught the eye of gamers who contracted him to create videos for them to promote their brands and raise money. But a video that Pete did for one particular gamer caught the eye of Fiverr, who believed that Pete was participating in a credit card scheme for his client. That got Pete suddenly banned from the platform. Pete was left with thousands of dollars in orders on Fiverr and no income.
When his son broke the news to him, he was working in the studio and it was caught on live video. It came as a shock to Pete, who was forced to figure out how to gain his livelihood back. As a result, Pete dipped into his background of sales and marketing once again, and with the help of his son, used their Youtube channel and Patreon to rise above the controversy.
The issue with Fiverr caused gamers like PewDiePie and Ninja to rally behind the voice, which caught the attention of their millions of followers, many of which now follow VoiceoverPete. Pete has managed to amass a huge number of paid followers on Patreon who he charges up to $150 a month to get two videos of him. VoiceoverPete has taken off as an internet sensation and is the subject of countless memes online.
Why I Wanted To Meet VoiceoverPete
The average voiceover person knows nothing about VoiceoverPete. I certainly didn’t. But if I told them there was this guy who made 10k+ a month on subscriptions and never auditions, it would perk up some ears. At least it did for me. So I wanted to meet Pete and talk to him about it. At first it was hard to track him down but I did and eventually, I had a chance to meet him at his home studio in Tampa and found him to be very fascinating.
Navigating the difference between the online subject of memes and gamer trash-talking VoiceoverPete vs the Christian, calm, cool, Spin instructor who is Pete Accetturo was interesting. Pete Acceturo is a serious business person who discussed marketing with different platforms with me and offered to teach me how he does it. VoiceoverPete is the fun guy who laughed and joked with me at various times of the day.
Our conversation was a mix between the two worlds of VoiceoverPete and Pete Accetturo. And Pete expressed to me how his world and way of earning a living have clashed with the traditional voiceover world, and how that has been hurtful to him. He told me the stories of his appearance at Voiceover Atlanta several years ago and how other talent were hostile towards him because he was earning money on the Fiverr platform.
The Lesson I Learned From Pete- Be Creative and Think Outside The Box
All in all, I found Pete to be one of the most fascinating people I have interviewed. His marketing strategy and his ability to pivot and think differently than other talent was interesting enough for me to drive to Tampa to interview him. And it was worth the trip. My hope in this interview to show the traditional talent that there is more than one way to skin a cat. And even if you don’t like the VoiceoverPete way, you should still be inspired to think differently and do it YOUR WAY!
Political Voice Over matters. Because we, as voiceover talent speak for the people. Turn on the TV. Take a look outside. Depending on where you are you may see calm or you may see mayhem. And unless you’ve been living under a rock, you know that what federal and local leaders decide for us has a substantial impact on our daily lives. This is a time where being neutral is impossible. Covid 19 and the effects that it has had on our economy will affect everyone. And the racial tensions in the United States are boiling over AGAIN! We all have a voice in this. So what do you do if you are a voice-over talent asked to do voiceover that hurts or hinders the causes that you stand for?
I’ve never understood how people could vote against their own interests. Yet tens of millions of Americans do it all the time. I guess I don’t understand them because I completely comprehend cause and effect. Candidate A says that beer is banned and you are a beer drinker. Yet you voice a commercial for that candidate? He is also against microphones that cost below $2500 because lobbyists and his donors are expensive mic manufacturers. So now you can’t crack open a brew when you want to and he has demanded that you get these super expensive mics. How do you stay neutral enough to do political voice over ads for Candidate A? I can’t.
Candidate A is hurting me and my business. And even if I attend AA meetings (I don’t actually consume alcohol) and earn enough money from doing political voice over for his ads to buy that Neuman U87, I know that he is simultaneously hurting my industry and all the best parties that I attend. This changes life as I know it. And even if I benefit in the short term, I lose overall.
Voicing Commercials for Politicians that Align with my Values
I recently completed my Political Voice Over demo. I decided to do one because I am passionate about the effects that all politics and policies have on our daily lives. I was born to take the side of the less powerful. My family came to the United States as immigrants in the 1960’s. Most of my grandmother’s sons served in the armed forces before they returned to buy homes and had families. It was important for them to educate their children well and be part of what happens in the neighborhood to its people.
My father and uncle were always a part of some action committee, political office, or school position. Both of my parents served as PTA president at my school at some time. When I faced repeated harassment and bullying and physical assault, which included being choked once, by the NYPD, my father knew what Captain to go see at the precinct.
Because my father was a vocal member of the community board and worked with the police in some cases, he spoke with the person in charge after an officer put his hands on his teenage son (who was just walking home.) Still, the policies on a citywide level prevented any action from being taken against the assailants. Effectively, my voice was silenced. So when I think about the voice over work I do, I think about having a voice first, and what I am representing.
Who Am I Voicing This Ad For? Know Your Candidate
I consider that the candidate that I am endorsing might actually win and take an anti-immigrant stance, or encourage the use of the police as a militant arm of indiscriminate racism. I consider that that candidate may win and take a public health or environmental stance that can harm communities that lack the resources to fight back. I consider that when Candidate A pays me for that political voice over, I’m gonna have to pay it back in the form higher taxes on the middle class and poor, to the benefit of his rich donors. There is no benign effect. It will come back on me.
Recently I was asked to do political voice over work for a national figure that seemingly supports the same police tactics that terrorized me as a child. I was honored that my talent was considered good enough for the national stage, but I had to decline. I asked a fellow African American if he would be interested in the referral because he voices ads for both sides of the aisle. I have also been asked to do political voice over for pro second amendment rights in a state that borders the one I grew up in. Understanding how guns get into the hands of criminals and the harm that is caused with those guns, I had to also decline. Cause and effect matter to me. I help them win and they make me lose.
African American Political Voice Overs
What I Stand For
There are causes that represent other groups that have little to no immediate effect on me. But I stand for them because it is the right thing to do. I have a unique opportunity to be in a position where I may be called on to be a voice for the voiceless, to be the strident messenger for the silenced, and to communicate the narrative of the muted. Sometimes those people look like me and speak like me, but can’t speak up like me. As an African American Voice Actor, I have a unique position where I not only witness, but I experience. I speak the words of others and cry cry my own tears. I represent us all in my life and my work.
Check Out My Political Voice Over Demo Here
Dedicated to the memory of my brother Julian who died suddenly in late May. Born and raised in the UK, he was passionate about British and global politics. We never missed a chance to trade political barbs with one another. Brexit was his Achilles heel.
Dane: I’m Dane Reid, The Voiceover Guy. I am here with the team from voice actor websites. Guys! (Team Introduces Themselves) (Dane) And I don’t have any labs that fit five people.
I used to steal software and plugins for voiceover. I started my career with Cubase LE which came as free software with my Emu 1616 audio interface. As I realized the limitations of that software, I wanted to grow but I didn’t have the money to grow. But having friends in audio engineering, I found out that there were ways to get what was called cracked software.
My first cracked software was a Cubase SX. There was a company that was famous for cracking audio software called and I used to find their software either online or through a friend who had it. Cubase 2.1 was how I really learned to produce commercials. But a DAW (Digital Audio Workstation) is only as good as the plugins. So for that, I had to find more cracked software.
Free Plugins? Or Digital Piracy?
The hot plugins of the day were waves plugins. Waves were really good and really expensive. Of everyone that I knew who did audio, maybe only one of them actually bought any of the waves plugins legally. Waves plugins could run 10k for a bundle. Being who I am I had to have the best bundles. I had the waves platinum, mercury and gold bundles at some time in history.
As my career grew, I never really considered buying the actual plugins. They were still out of my reach in price. Plus, what was the point? I was getting them for free. Free beats cheap any day. So I perfected my skills with free software and even upgraded as more cracked software replaced the older versions. I went from Cubase SX to Cubase 2.1. Then I moved on to several Nuendo versions for a few years. Meanwhile, voiceover and commercial orders piled on. I had a nice workflow.
I never shorted on hardware though. I bought my first Neuman for $1500. UA LA 610 for $1400. I owned several computers. A Mac and a PC and a PC laptop. I had travel gear and swapped out several audio interfaces at that time.
The Day It All Went Bad!
So what happened? Well, one morning I got up to do my work. I had several commercials in the pipeline for the day. I fired up my computer and my trusty Emu and then started Nuendo and BAM. Nothing. It wouldn’t start. I tried it again and still nothing. So I restarted the computer hoping that would help. Nothing again. I tried a few times and no result. I was in a bad position.
I called a friend and fellow talent to ask if I could come to his house and record this work and he asked me what had happened. I told him. And his response was something I didn’t expect. He said to me “Why don’t you just buy the software?” I had never thought to actually buy the software. So I did. I bought my first version of Cubase, which was Cubase 5. It cost me $300 at Guitar Center. I came home that morning with my dongle and installed the software and BAM…. Nothing!!
At this point, I’m even more panicked. Installing and getting up and running was much easier with cracked software. So I called Steinberg to help me. I went over several things troubleshooting with the tech before I finally had to admit to the tech that I previously installed unauthorized software. He went silent for a second, and in a judgemental tone said “Well then you have to wipe your entire computer clean and reinstall windows to install Cubase properly.
You can imagine my horror. But I had work to do and the day was coming to a close by now. I got off the phone, backed up as many of my files as I could, and wiped my hard drive. I realized that I had to change at this moment. I did put the plugins back on the computer because I needed them at that moment but over time I began to buy them. I didn’t buy all of them but I bought some.
Pay The Money. It Will Pay You Back!
Over the years I replaced Cubase 5 with Cubase 7 Artist. I also bought Cubase 8 Elements for my mobile rig and then upgraded to Cubase LE AI Elements 9.5. I also bought Cubase Artists 9 for my desktop home studio. That version made all of my 32-bit plugins obsolete so now I had to buy all new plugins. That’s when I bought the Apollo Twin and then the Apollo Arrow with all the plugins for those machines. Now, I can’t steal plugins. I buy them. I also fell in love and buy the Izotope plugins. I have several of those bundles for mixing and mastering. I continue to buy software and plugins for voiceover. For Christmas, I bought UAD’s Manley VoxBox and Valley People Dyna-Mite.
Where To Find Free Software
You don’t even have to steal software and plugins. For plugins, there are literally thousands of free ones online. All you have to do is google free audio plugins. For a DAW everyone knows about Audacity which is free but you can also download a free version of Mixpad which seems better than Audacity.
In my opinion, I get the fact that starting a business or learning a new craft is very expensive, but with free software and plugins for voiceover available now, don’t steal. Don’t steal anything actually. People work hard designing this software and they deserve to make a profit for their efforts. I left some links in the description for Mixpad and Audacity.
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Everett Oliver is a shy, introverted booth director who got his start 25 years ago in the animation world….. And if you know Everett you know that there is absolutely nothing shy nor introverted about him. Everett is a no holds barred, unfiltered, instinctive voiceover coach and booth director who fights hard for the success of his clients.
As a booth director, Everett directs clients auditions to help them book jobs. Voiceover actors often have auditions that they REALLY WANT to book. Some of these auditions are the BIG ONE that can make our careers. Whether it’s a network promo job or an animation project, we know this can mean the difference between success and failure. We sometimes spend hours recording the audition and then second-guessing ourselves on the read, the sound, the tone etc. Ultimately this can result in paralysis of analysis. In those moments, what we really need is a second ear.
That Second Ear
Everett is that Ear. Working with a voiceover audition coach like Everett accomplishes several things. It cuts down the time you spend on auditioning and allows talent to submit auditions faster. Sometimes agents submit the first good auditions as they come in and those are the ones that are most highly considered. Working with Everett also gives you insight into what the client is most likely thinking when he wrote the copy. Everett knows that world and he has an incredible instinct for predicting what books.
Taking His Show On The Road
Everett Oliver has been touring North America, taking his brass brand of coaching to various cities. And talent are better off for it. In my time speaking to Everett, he explained to me about an entire world that goes beyond what most talent could even imagine. It’s a fast-paced, backroom world where the end result is what matters. Everett knows that world, having been in Hollywood for many years and being a part of it. It’s a world where talent is replaceable and feelings can be a liability.
He’s a Tough Mutha Shut Yo Mouth
Everett’s style is all in preparation for acting in front of those people who run that world. He’s hardcore, but when you speak to him one-on-one, you realize that it’s all in love. He’s like the mother hen who looks out for you until you are ready to fly before he himself pushes you out of the nest. And believe me, Everett Oliver pushes. His personality throughout his session was both tough and hilarious.
There have been so many voiceover jobs that I crossed my fingers and threw up 7 hail Mary’s that I didn’t get. Somethings are just perfect for you and you’d love to call up someone special and say “Listen to me on this”. And those are the voiceover auditions that I would call a booth director for. Those are the jobs that I prep for with a voiceover coach months in advance for. Those are the jobs that I now keep Everett on speed dial for. Now, my booth director is Everett Oliver.