Blog Archives - Dane Reid Media

11 Top Voiceover Youtube Channels

About Voice Over, BIPOC Voiceover Talent, Blog, Interviews & Insight, Reviews, Technology & Voiceover, Uncategorized, Vlogging, voiceover, Voiceover Career, voices

What are the top voiceover youtube channels? The channels that you turn to for the best sources of information, education and information for voiceover. Well, that’s the controversial murky water that I find myself swimming in right now. Anytime you use the words top or best to describe anything, you are bound to open pandora’s box. The level of nays can be just as loud as the yays. But as a lover of Youtube University, I find myself looking for the best channels to inspire and inform me on what’s happening in the voiceover industry.

Over the years, there have been many channels and talent who have utilized Youtube as a way of getting out their message, producing content and expanding their brand awareness. Sure, there are other outlets to do that, but Youtube is the second largest search platform in the word. So when people search for the top anything voiceover, the top voiceover Youtube channels will appear right there with their google search.

The problem comes with the disagreements. Over the years, I have heard the mumblings of personality conflicts and staunch disagreements with the methodology and teachings of certain VO Youtubers. Some have argued that anyone teaching and encouraging the use of Fiverr to “newbies” don’t have our best interest as an industry at heart. And these kinds of disagreements turn people off to certain Voiceover Youtube channels. I get it. But I also get that change is dolorous and that regardless of disagreements, the popularity and relevance of the VO Youtubers making these videos cannot be ignored.

How I Decided Which Were The Top Voiceover Youtube Channels

I had to create criteria. I decided that the age of a channel, consistency of uploads, value to its viewers, and entertainment value and how well known the channel is, would be how I decided. I also decided to list them in random order as to not seem to express biases toward or against. Still, there is some subjectivity even in the criteria that could still open itself up to criticism (and me). Still, in good faith, I decided to give it a shot with the disclaimer that these are not mostly recommendations but acknowledgments that these channels have all come across my radar.

Ask Dave Fennoy Anything

Ask Dave Fennoy Anything Streams on the DaveFennoy Voiceover Training Channel every Wednesday at 8pm Pacific time. Dave is a legend in voiceover gaming who also has his hand in countless areas of voiceover. He is an authority in VO Games and Character Coaching. You can catch him at https://www.youtube.com/channel/UCpR7jedutYNue9GU84uS-Cg

The Gift Of Gab

Gabrielle Nistico’s Channel post videos with frank voiceover advice with a witty and sometimes dry humor style that appeals to both new voice actors and professionals. Gabby is a voiceover actor, demo producer and career coach in Charlotte. Her channel can be found at https://www.youtube.com/channel/UC-JhbChXLVwTvgSxrtWpajg

Earl Hall- Earl Hall Studio

Earl markets his brand as a coach capable of taking students from step 0 to 100. He has a number of courses online for marketing your own voiceover career. He runs a free training facebook group and teaches students to automate their voiceover success. His channel is https://www.youtube.com/c/EarlHallStudio/featured

A VO’s Journey

Anthony Pica’s brand stretches across platforms from Facebook to Youtube to Instagram. He is spreading the word of what it really takes to earn a living, learn how to voice actor and run a voiceover business from the perspective of someone who is doing it. Check out Anthony at https://www.youtube.com/channel/UCaSvjdnxdx69qoW9ryuxCjQ

Brizzy Voices

Starting in 2012, Anna Brisbin built a voiceover channel and career from doing impressions from movies, cartoons, and assorted characters. Her channel attracts viewers drawn to see her perform these impersonations. The best part about it is that she did it all from her not-so-fancy, sometimes messy closet with very basic equipment. To date, Brizzy Voices has a whopping 2.1 Million subscribers and has videos that boast 27 Million views. Not bad. Not bad at all. Her channel is https://www.youtube.com/brizzy/featured

Voiceover Masterclass

When you have a name like Voiceover Masterclass, it just sounds so official. Peter Baker’s gentlemanly British style and consistently give his videos a university type of feel to it. You almost feel as if you should enroll into the channel as opposed to subscribe to it. His videos a purposefully produced and feature a professional theme with the thumbnails. His voiceover youtube channel is https://www.youtube.com/c/Voiceovermasterclass/featured

VO Buzz Weekly

Chuck and Stacy are two of the most known figures in the voiceover business. Few people have as many friends and are as well-liked then the two of them. They have been producing the only Voiceover Talk Show since I have been a working actor. No other voiceover channel rivals professional network shows like theirs does. Each week, they bring you a new voiceover superstar. Catch their show at https://www.youtube.com/user/vobuzzweekly

VOBS- Voice Over Body Shop

Dan Leonard and George Whittam are two of the most respected voiceover tech guys in the business. Dan, who is an accomplished voice actor himself, and “George the Tech” have been teaming up for more than a decade to help make voiceover technology more understandable for users. They host a live one to two-hour-long show each week where they explain VO gear and bring on special voiceover guests. Find them at https://www.youtube.com/c/Ewabsshow/featured

Jordan Reynolds

According to his channel, Jordan is a Voiceover Talent, Voice Matcher, Demo Producer, Audio Producer, Audio Engineer, Improv Theater Actor, Music Enthusiast, Tech Geek, Professional Sideburn Grower. It’s that last part that makes you tune in. Not only does Jordan know his stuff, but he’s about making good content that helps people. Recently Jordan has started doing courses to help other voice actors with their sound, an area that so many of us get wrong. His channel is https://www.youtube.com/c/JordanReynolds/featured

Booth Junkie

Mike DelGaudio dedicates his channel to the tech of at-home, professional voice over. He review microphones, studio equipment and help new voice actors set up their studios from hardware to software so they can make the next great recording! The Booth Junkie channel has attracted 123,000 subscribers and has reviewed Reaper, portable isolation booths, kaotica eyeball and compared cheap vs expensive microphones. Booth Junkie is found at https://www.youtube.com/c/BoothJunkieVO/featured

Bill Dewees

Bill Dewees is a professional voice over artist and coach. His channnel helps new and existing voice over artists get found, get heard, and get hired. Everything from picking your first mic to how to land VO jobs and get paid. Bill has some of the most consistent content on youtube for voice actors, posting new videos twice weekly. It’s simple in production and straightforward in approach. The channel, like some others, is a gateway to Bill’s coaching sites that guide viewers to success in voiceover. His channel is https://www.youtube.com/c/BillDeWees/featured

Other Channels?

Undoubtedly there are other channels I forgot to mention. And for some that I did mention, I may be facing cancel culture. If there are any that I should have put on the list, go to youtube and leave a comment under the video in the comments section. Please try to be respectful.

What Makes A Great Voiceover Website? w/ VoiceActorWebsites.com Team

About Voice Over, Blog, Interviews & Insight, Technology & Voiceover, Testimonials, Vlogging, voiceover, Voiceover Career, voices

The New Year is often the time when businesses begin new marketing initiatives. Voiceover actors are no different. When I started thinking about a new website for my new branding, I looked towards other successful voiceover talents for who they used. I worked well with my old web developer but wanted someone who had a fresh vision for my website. I wanted someone who also had a deep understanding for my particular business. I notice that many talent had branding by VoiceActorWebsites.com including Issa Lopez, who I am friends with. Issa connected me with Joe Davis’s number.

Joe actually knew who I was. We had met before at VO Atlanta and after seeing his face online, I vaguely remembered. But the fact that he did remember meeting me was a testament to the fact that Joe knows the voiceover industry. We talked for a while on the phone and I explained to him what I was looking to do with my site. While on the phone he did a quick audit of my site and immediately identified some things that would benefit the site and my branding. It was impressive to say the least and I was pretty convinced of his ability to deliver. We spoke a few days later where he gave me a more complete rundown of his recommendations.

Joe connected me with two of his project managers, Alex Sanchez and Karin Barth. I only corresponded with Alex briefly but Karin mostly handled my case. Karin immediately understood my vision as well. She had taken a look at my then website and saw the diversity in my work and how my new branding would reflect that. Karin showed me a number of possibilities, from custom made sites to various templates. I had an opportunity to pick several and review with her how they would work best for me. The process all in all took a few weeks.

When I caught up with the team in Orlando, they were working at Alex’s house. I sat down with Joe, Karin, Alex and one of their newest teammates, Lo-An Schoeman. We discussed what it was that made this team so popular.

Transcript

It’s a new year and you’ve been thinking about all new branding, new demos, new marketing, new business cards. Wait! Does anyone actually still use business cards? New website! And who are you gonna call for that new website anyway? No! Not ghostbusters. Voiceactorwebsites.com.

Dane: I’m Dane Reid, The Voiceover Guy. I am here with the team from voice actor websites. Guys! (Team Introduces Themselves) (Dane) And I don’t have any labs that fit five people.

So my own website was starting to look, well, old. So I wanted a new one. So I started searching online and saw my homie Issa Lopez’s website and decided to call her and ask her where she got hers made. She told me “voiceActorWebsites.com. So I went to their website and found a contact and call Joe Davis on the phone. Joe connected me with Alex. Alex connected me with Karen and “BAM!!” I had a new website. Recently I sat down with the team to find out how they’ve won the hearts of so many voice actors.

Dane: So this is a very unique interview because this is the first time that I’ve ever interviewed 4 people. This is the most number of friends that I have in life by the way.

Alex: 4 at a time

Dane: (laughs) 4 at a time. That sounds like a different kind of video Alex. (Laughs) As you can tell this team has a whole lot of fun. And if you’ve looked at any of the websites that voice actors have, this team is responsible for a lot of those websites. And so aside from all the fun that they have, they have a lot of talent, and so I want to thank all of you guys. Usually what I do is one single

handshake but if we can get maybe a “Goooo Team”

[Laughter]

Dane: On the count of 3

Joe: Who’s on top?

[Laughter]

Dane: I’m in the building with the Voice Actor Website Team. Obviously you guys have great chemistry. I can tell already. How did this whole voice actor website team and thing come together? Who wants to answer? Just raise your hand like we’re in school or something because I have to pass this mic.

[Laughter]

Joe: It started out with just me and actually it was thanks to Dan Leonard. He, 10 years ago maybe, asked me to help him with some of his marketing. I did and then I wound up getting invited on Voiceover Body Shop which was back then east/west audio body shop. EWABS and I thought it was gonna be something fun and interesting. And didn’t really know where I was gonna go and voice actors started calling. So I said “alright so there’s something here.” and I spent about a year year and a half learning about the voice-over industry. I got to a point where I felt I knew close to as much about voice-over as I did about marketing and web development and at that point started a new company. Karin came on board and then Alex and then Lo-An. We actually have an even larger team then this today.

Dane: and they couldn’t fit in this shot. This my maximum and we’re not doing this again.

[Laughter]

I worked closely with Karen to get my website done. Karen is a fellow insomniac who worked diligently throughout the night and who was probably really surprised the first time she sent me a message at 3 a.m. and I answered so quickly.

Karin: I’ve been on for about 4 or 5 years now. And Joe is one of my closest friends. And he wanted to scale the business. So I went to onferences with him and for about a year I learned about the industry and saw what it was all about. I met people and networked, fell in love with it. The community is amazing.

Dane: What’s your story Alex? Talk to me Alex.

Alex: okay we’re getting serious here. Well I’m a project manager and I’m doing sales as well. I’ve been able to grow in that position and learn a lot about voiceover but also about the business. It’s been a great learning experience to me.

Dane: What’s your role?

Lo-An: My role is and alsoa project manager and I’m the newest member to the team. I’ve been for six months now. I also met Joe through a mutual friend. I’m in college for my marketing degree so Joe was gracious enough to give me a job.

Dane: Who are some of the people that jumped on board early on in adopting voice actor websites?

Joe: Dan Leonard was actually the first voice actor I ever met. Melissa Exelberth, Paul Strikweda from Nethervoice, Debbie Irwin.

And later the list goes on to include people like Jay Michael Collins, Christi Bowen, Sophia Cruz, Dave Clarke and Me. Did I shamelessly mention my own website yet?

Dane: What are the distinguishing aspects of what you guys do versus doing it yourself or getting someone who does websites but maybe doesn’t necessarily specialize in voice actor websites?

Karin: We’ve worked with a lot of different people in industry. Casting agents, producers.. We’ve gotten a lot of points of view from other people. You know what they think is important and obviously just going to conferences and hearing about the different needs of the industry. Knowing all about it gives us a unique view into what is needed.

Joe: At its core every voiceover site should give talent seekers the ability to hear you and hire you. Those are the two most important things. But then there’s all kinds of subtleties for example making your demos downloadable. So a lot of time you don’t think of doing that but producers and casting directors a lot of them don’t make a decision the first time they listen to something. Or they think “oh that person would be good for this other project that I’m working on” so they want to save your mp3. It might seem silly to not think of making your demo downloadable but it’s something that I’d say more than the half of people that we see their site, don’t have that.

Dane: So if someone, for example, wants a new voice actor websites, what is the process?

Alex: Typically what we do is we send a Google form to gather ideas on the design and colors they want to use. And then that becomes kind of like the starting point for the conversation where the project manager comes in. And the project manager will work to assign the designer that fits best for the project and then the whole process unfolds that way. It’s a very collaborative process.

Dane: So about how long does the process take? Let’s say if I wanted a three-page website. I mean, what would be the standard?

Lo-An: I think that’s like dependent on the voice actor. Because sometimes they have all the content that they want to put on their site and ready to go, and you know, have a site launch in 2 to 3 weeks. So it just depends on what they’re willing to get us.

Alex: so it’s basically self-paced in that way and then the client provides the content and we turn that into a website. So it’s dependent on that open line of communication.

Joe: It also depends partially on where some of these in their career. Are they just starting out? Have they been doing this for 20 years or somewhere in between. Because they’re gonna have a different body of work and probably we’ve been goal for the site. Also, the two basic types of sites that voice actors have are either an extension of the business card, meaning they’ve had some sort of prior interaction with the person that they’re sending the site to and you’re sending them there to hear you. And the other is more of an SEO driven site, where you haven’t interacted with the person before and you’re trying to get them there based on the search that they did and have them listen to you and hire you. So the the first type of site, the extension of the business card, it could be one page, two page, five page site. I wouldn’t do, you know 500 pages, but probably betweeen one and five pages will be average. An SEO site, the bigger the better. Google is, at its core, kind of a

relevancy engine and a popularity contest. And so the relevancy engine portion of it is, the more relevant your result is to a searchers intent, the more likely you’ll come up. Meaning, if someone is searching for pharmaceutical commercial voiceover and you have a website about voiceover, is it relevant? Yeah, that’s good. Could it be more relevant? Absolutely! So then let’s say you have it broken up into the different genres. If you do a page for commercial, a page for corporate narration, a page for ivr, a page for e-learning, Google looks at that and says “the site’s about voiceover and it’s about commercial, is it relevant? Yes! But could it be even more relevant? Yeah. So then now let’s say you have a tertiary level of navigation where commercial’s broken up into kids commercials, and automotive commercials, and pharmaceutical commercials. And each one of those pages has audio content and text content and supports that narrative that you are voice actor that does commercial work and whatever that subgenres is, in this case pharmaceutical voiceover. So, Google looks at that and says “Wow!” It’s about

voiceover, it’s about commercial and it’s about pharmaceutical. It becomes perhaps the most relevant result on the internet.

Hanging out with the team from voice actor websites, I learned so much about how Google serves up information about your website. It’s so important to your business. It’s certainly important to mine.

Dane: What do you guys think it is that makes this whole thing work?

Alex: At least for me my experience, working for the company, sets it apart as an experience. Because the personal connections that we built

with our clients or with each other is what really makes us a success. Because people see us as people and we’re a small business as well. So we understand that when clients are investing in the websites, they’re also small businesses. So we come with that experience and we make friendships.

Karin: And we make awesome friends.

Alex: Yeah. We make awesome friends. And we see them conference and it’s like a reunion. It’s really special and I think it speaks to the VO community. There’s something unique about it. Very special!

Dane: I teared up. Guys you have incredible energy and just seeing the team together…. Because I’m used to talking to Karin on the phone at 2:00 in the morning. She like “what are you doing up?” But yeah I mean just to seeing you guys here together and working together…. When I came you were on your laptop’s. It looked like you’re watching YouTube, not working. [Laughter] So one last question. Obviously, here’s the answer. It’s quite easy. Where do we find you guys if you want a voice actor website?

Everyone at once: Voice Actor Websites dot com

Dane: I’m Dan Reid the voice of a guy with the voice actor website guys and girls. I’m gone

[Music]

5 Things I HATE About Being A Voiceover Talent

About Voice Over, Blog, voiceover, Voiceover Auditions, voices

On the surface of things, I may seem like the luckiest guy in the world. I’m a digital nomad who makes a living with my God-given talent, my voice. My voice has allowed me to travel all over the world, freedom to decide how I spend my days and has set me in the company of some pretty famous and interesting people. And my work is heard literally by millions of people every day. There are so many reasons Why I Love Being A Voiceover Talent. So what could a guy with so many great fortunes have to complain about when it comes to being a Voiceover Talent? Here’s my list.

Always Interviewing
When I think about the things that I don’t like about being a voiceover talent, most of it comes down to the business aspects of the job. But there is one thing that relates directly to the job itself and that’s auditioning. Imagine that you have an advanced college degree in something and you have years of experience in the field. Now imagine that every day you go into work and before you put in 8 hours you have to interview for the job you’ve held for years each time in order to even start work. That’s what auditioning is like. It’s like a job interview every day. It’s maddening for me.

I have heard of talents who literally audition for work all day every day. This is what they do until they nail the job. For me auditioning is frustrating. Literally, you are competing against sometimes hundreds of people for one position. And certainly, I have landed many pretty spectacular jobs from auditioning but the process can sometimes feel like a time-waster. Instead, I have based my business in voiceover in marketing my voice and cultivating relationships with clients. But still, auditioning remains a part of what I do.

Who Do I Trust?
Shady managers, agents, producers, websites, and coaches all prey on talent in the voiceover industry. Some of us know who they are. Some of us don’t. The voiceover industry can be a very lucrative field even if you’ve never stood behind the mic. Many people know that and make money legitimately from it. But there is a growing population of people who lack experience and worse, morals, who are guiding others’ careers. They have everything from profit-sharing schemes of talents entire income, to quickly made demos for talent who obviously are not ready to make one. As these snake oil salesmen penetrate the mainstream of the voiceover industry, it’s tougher to tell who is who as many reputable people are befriended by them. As a voice talent, knowing who to trust to help grow your business is becoming as cloudy as Manhattan smog in the early 80’s.

The Pressure To Perform
When you think performing in voiceover, you may immediately think about copy interpretation and executing the right voice or character. But no! The real pressure for a VO professional is to be what Marc Scott calls a VOprenuer. Day in and day out marketing of your voice. For someone who entered into this profession because of their talent, this can be difficult.

There are no guarantees in life but starting any business has a unique set of risks. There is uncertainty about the future of the industry as a whole and then there is a person’s individual uncertainty about competing in that industry. There are questions and doubts about how will you retire from this industry? How will I provide insurance for myself and family? There is also the everyday questions of “where will the next job come from?” In any small business, what you kill is what you eat.

Dealing With Scissors
I probably came into voiceover at a time when rates for VO services were at an all-time low. But that money was still great money for me. But for the professionals who enjoyed even bigger checks for many years before I arrived on the scene, these checks were barely enough to pay for their 7 Series BMW’s. I was an undercutter. 14 years later I struggled to pay off my Acura in 24 months with these rates. Well, the scissors are out again and this time they keep cutting. Rates are getting lower.

Websites who promise new talent work and at the same time promise clients extremely low rates have big budgets to help them rate at the top of google searches. These websites are corporate-minded, not individually concerned and so they have invaded the industry from multiple angles in an attempt to make talent and agents mere low waged hourly-like employees. This is, of course, a fight that as the talent we must push back on both collectively and as individuals.

Fortunately, we have groups like GVAA, The Voiceover Agents Alliance and the Union helping to maintain fair rates.

Billing- I Am Not A F$%king Collection Agency
Whether I’m fighting with Paypal over a chargeback scheme by a customer or calling a client several times a day to collect on an overdue invoice, the part that I dislike about my job is being a collection agency. It’s probably the most disliked part of any business. Comcast wishes they didn’t have to have a collections division either. But unlike Comcast, I deliver the work with quality, on time and with great customer service. So I deserve to be paid on time. Unfortunately, that’s not the case.

Many people are not content trying to drive the rates to almost nothing. They want to make sure that they actually get it for nothing. Others feel as if the interest is accruing on the money they owe me in their accounts so they should delay delay delay. This is extremely inconvenient because meanwhile, this puts me in the position that Comcast is calling me (I’m kidding.) Either way, I tire from having to collect money that is a given that should be simply paid to me.

I’ve added safeguards to ensure that I’m paid. I collect money from certain categories of clients before the work is performed. I also use services that confirm that the work was sent to and received by new customers. And I’ve reduced the number of clients who I accept PayPal from (Because PayPal doesn’t support it’s service providers). At the end of the day, the best way to get paid is to get paid upfront and avoid frustration.

Final Thought
Truthfully, I was having a bit of fun writing and recording this vlog. Some of it was a bit exaggerated. All in all the benefits of being a voiceover talent for me are greater than those things that drive me crazy about being a Voiceover Talent. It’s a great job to have. And had to give advice to anyone who is frustrated with voiceover or who is discouraged from continuing, I’d simply advise them to have fun. Release the pressure. Learn as much as you can. Just do it. It’s worth it.

How Do I Become Joe Cipriano

About Voice Over, Blog, Interviews & Insight, Studio, Testimonials, voiceover, Voiceover Auditions, voices

At the cross section of one of the most successful voiceover careers and the embodiment of talent, is one of the nicest people in VO, Joe Cipriano. I had a chance to meet Joe Cip (as he is affectionately referred to) a few years at VO Atlanta. He was signing copies of his book “Living on Air” which was co-written by his wife Ann. As soon as he spoke, I recognized that iconic voice. I was intimidated to speak to him. But after purchasing his book, myself and fellow VO friend Scott Chambers sat around talking to him and even sat at his table for the lunch session. He was so COOL. It made me want to know even more about “How Do I Become Like Joe Cipriano?”

Joe’s career is the admiration of most voiceover talent. It spans decades and thousands of very well known promo and radio imaging projects. You’ve heard him as the voice for promos for the Simpsons on Fox and he’s been the voice of comedies on CBS forever. But inspite of his success, Joe is incredibly humble. When I decided that I wanted a chance to interview him, I doubted that he remembered me. But I knew that Scott had kept in touch with him. So I called Scott. And Scott called Joe. And Joe gave the “ok”. This, I knew, was gonna be exciting.

Not every voice actor, podcaster or youtuber visits “The Clubhouse” where Joe cooks up nationally recognized voiceover. Joe has been the voice of the Emmy’s, Network TV and Game Shows and keeps a busy schedule. So, I was excited to get some of his time for this interview. Much of the prep time at the Clubhouse I spent shooting B Roll of Joe just simply working. His schedule is of back to back jobs. He goes from Game Show, to promos to Radio Imaging with the precision of a surgeon, never missing a beat.

Reading Voiceover With Joe Cipriano

But Joe is still one of the most talented guys in the industry. I had a chance to do a promo read with Joe which blew my mind and inspired the direction of my voiceover career for 2020. Check it out in the video at 9:28. Joe showed me how to break down promo copy. We talked about timing and the nuances of the script which indicate different inflections and points at which the VO talent should change moods, voices etc. The scripts are complete with info for everyone involved in the project from audio mixers, to the SOT and the video producers. Joe showed me all of that.

Watching Joe Work

Joe changed the way I do business. I watched Joe work for hours and what I was impressed with most was his level of organization. He was like a machine. Every job he did, he documented in his system and emailed his agent about. Joe explained to me that it was not only important in keeping track of getting paid, but also making sure you were doing the work you’re being paid for. I know from radio imaging that you are contracted each month to a certain number of pages. Joe keeps track of even the length of scripts and how much he had done that month. After watching him handle the administration part of the job, I went home and became more precise.

Joe credits his success to 4 things: Relationships, Talent, Luck and his wife Ann. Back in 1997 Joe was a radio guy in LA when he was heard on air by a television executive who was searching for the right voice for their new network Fox. He made a few phone calls and a connection of Joes made the introduction. That sparked a relationship with Fox that has lasted more than 2 decades. And similarly, a relationship that he had with a CBS executive that landed him the promo jobs at that network.

But it’s the relationship that he found long before he was nationally admired, with his wife Ann that he seems most proud of. Joe and I talked about his family as much of being a part of his success as he did his talent. Ann helped write his book Living on Air, which they released in 2013. The book explores Joe’s career as well as helps VO talent build their own careers. It takes you through the wild adventures of broadcasting life.

I walked away from the Clubhouse that day thinking about luck. When speaking to most people, they credit hard work exclusively to their success. But during my time with Joe, he was humbled by the fact that there were many key moments when he just got lucky. Obviously, Joe has more talent than most voice actors could hope for. But he very plainly expressed that if it weren’t for simply being given certain opportunities, that he might not be the Joe that we all know. For me, that was humbling.

How I Got Started In Voiceover

About Voice Over, Blog, Children Books, Uncategorized, Voiceover Career

When people ask me how I got started in voiceover, I know what they are really asking; How to get started in voiceover and more importantly, how do they get started in voiceover? I also realize that they are listening for an easy answer. Since noticing that, I ask whether or not they are interested in doing voiceover, and from there, that shapes the way I answer the question. I either explain that their path in 2019 will be different from my path in 2004 or I tell them the actual story of my journey.

If the question is truly ” How I got started in voiceover ” then the real answer is long and complex. It started with my professor in College, Bill Clark mentioning to me that I should do voiceover. It was really early in the days of the internet and little info was available about…… really anything. I search the local newspaper, found nothing and quickly gave up. But as time went on and I graduated with a major in mass media, the word voiceover continued to resonate in my mind.

Fast forward a few years and I was working in the Fulton County Georgia School system. It was a job I enjoyed but it was never meant to be permanent. Voiceover seemed to continue to come up and I kept hearing big voice radio imaging guys like Mitch Faulkner, Pat Garrett, Mike Johnson, and others. I would imitate them and frequently said “I could do that”

But the catalyst to me actually getting started was being in New Orleans with my dad in the lobby of our hotel when I began thinking seriously about doing voiceover. I was still with the school system but what Bill Clark had advised me to do years prior was heavy on my spirit. At that moment, I concluded my thoughts when just shortly after, my homie Dolvett called me from Atlanta and said immediately upon me answering the phone, “Yo, I don’t know why I was thinking about this but, I think you should do voiceover”. I had never spoken to him about this prior.

When I returned to Atlanta, I got to the much-matured internet of 2004 and called the first voiceover talent I could find here in Atlanta. I wish I remembered her name, but she advised me to get a demo and send it out. She also told me a great studio that did demos. (That’s not advice I would give an aspiring voiceover talent today. Go get training first) So, I followed her advice. I called the studio and scheduled a time to record.

The studio session, much to the surprise of the engineers went so well that they gave me my demo free. The owner told me that I was the first aspiring voiceover talent, out of hundreds, to record with them who he actually thought had a future in the business and so he wanted to pay it forward by helping to launch my career. I was excited. I sent that demo around to different studios and agents and landed my first voiceover job on local radio playing a robot in a health product commercial. It paid me $75. I was also signed to a local agency, Arlene Wilson Management.

That year for Christmas, my then-girlfriend bought me my first microphone, the Rode NT1A. I, of course, had to buy an audio interface to go with it so I purchased the Emu 1616, which at the time was cutting edge technology. The Emu came with multiple recording programs, which included Cubase LE, which I became so accustomed to that it made Cubase my lifelong DAW. I worked this set up for 6 months when I found one regular client who paid me weekly which afforded me the ability to buy the TLM 103 microphone.

Throughout my early career, I attempted many things to make money in voiceover. I started a very expensive voiceover ringtone website which I profited only $6 before Apple’s Iphone killed the ringtone business. I sold my bible verse call-back tones to a company in Canada. But I also began doing radio commercials for local nightclubs, a skill I learned from a mentor in radio imaging named “Postman.” In 2006, I stopped working in the school system to do voiceover full-time.

By 2008 I published my first audiobook called “Dana The Procrastinator.” It was a physical hardcover book combined with a CD which was produced by my brother Omari and voiced by yours truly. Dana the Procrastinator was loosely based on my lifelong struggle with procrastination. It combined my two favorite pastimes, voiceover and writing. The book was great for me but was short-lived. I visited schools and bookstores from Atlanta to New York speaking and conducting workshops. Being an author even took me to Jamaica where I read to children at the Jamaican Public Library. But by 2009, the sales came to almost a halt and I was struggling financially.

At the end of 2009, I had lost the girlfriend who had encouraged me in my career up until then. While tough, it was the motivation I needed to push me to succeed and make bolder moves. As an introvert, I was forced to leave the house to find what I no longer had socially. My girlfriend was my crutch and I had to encounter other human beings which made me go out more. This meant using my business as a reason to attend more functions and meet more people. A new network could help make me more successful. While I lost love, I expanded my network. From there I began traveling outside of Georgia to find work. This was the formula which proved to be fruitful.

I’ve done a lot of things since 2010 keep my business going and growing. Training and educating myself to understand the voiceover industry has been helpful. Additionally, I have broadened the types of voiceover that I do. I’ve taken on much more narration work in the past few years. I started blogging and interviewing established voiceover talent to increase my own visibility in the industry. Also, I wanted to learn from other pros.

I have grown greatly over the years from how I got started in voiceover. My journey will not translate the same way into your journey if you are just getting started. The industry has changed. Technology has changed. The world has changed. My hope is that even if voiceover itself no longer exist 15 years from now, that I can be comfortable from the work I have done in this industry. And that I continue to be proud of that work.

#voiceover-career #african-american-voiceover-talent #How-to-get-started

Voiceover Branding Interview W/ The Brand Therapy Podcast

About Voice Over, Blog, Interviews & Insight, Studio, voiceover, voices

Voiceover Branding and Marketing may be as important as the performance itself. In my lifetime I have seen terrible products marketed well that sold in large numbers. Equally, I have seen great products with terrible marketing and branding that had no traction. Recently, I sat down with long time friend, Marketing expert and podcaster Vanessa Kelly to chat about Voiceover Branding and VO in general.

I sat down with Brand Therapy for a lite-hearted conversation about a field that few even notice. We spoke about voiceover branding and how I started my career and how I’ve kept it alive this long. Additionally, we talked about what voiceover is and what it is not. We discussed marketing and voiceover branding. I educated the audience on how to find a qualified voiceover artist as well.

“Episode 3 features conversation with voice over actor Dane Reid of Dane Reid Media. With over 15 years in the VO field, Dane gives us his expert breaks down of exactly what VO is and isn’t, when you should hire a VO actor for your project and other fun tips

If you are some who works with, is in charge of, or are trying to build a #brand, voice over work should be a consideration for your next project.”

The Making Of A Narration Demo With Gabrielle Nistico

About Voice Over, Blog, Demos, Interviews & Insight

Demo production is both an art and a science. It’s a combination of matching the voice and personality of the talent along with the trends in voiceover production. To do that, not only do you need a producer that knows what are the current trends in voiceover (things like the 6 second commercial), that person also needs to know, or at least have a feel for you as a talent.

My Demo Producer Pick

It had been too many years since I had updated my demos. When I sent out my last set of demos to various production companies, clients and agents, I had almost always received positive feedback. But among people who knew me, including myself, I had always felt that my demo was a bit stiff. It didn’t truly reflect me as a person. So when I decided to do a new narration demo I wanted someone who knew me as a person as well as having great experience and insight into the world of voiceover. So I picked Gabrielle Nistico.

Relationships Matter

Gabby and I have known each other for years. She knows my background. She knows my voice and every time we speak it’s always fun. She teases me. We’re both New Yorkers so she gets me and she sees a lot of my crazy social media post and follows me on my adventures. Oh, and she gives great hugs too. While not every talent and their producer will have this kind of relationship, it’s important that there is some kind of relationship beyond “ok, when I press record, say this line kid”. Why is this important? Because the scripts she picked out have to be tailored toward me personally to get the best reads.

The Right Scripts

The producer has a bunch of scripts. They could randomly throw some scripts at the talent and that would be the end of that but it’s important that they can visualize the way the talent will interpret and project that copy before it is recorded. That helps them pick better scripts. Gabby knew both how I read things and how I say things normally. That helped. Bigly! Having knowledge of my background in education helped in choosing one particular script on my demo and another which we later decided to table was chosen because of my background with live announcing (I decided to create a dedicated live announce demo instead produced by Jean Francois Donaldson)

Talk But Also Listen

Short of having been to your demo producers house, finding a demo producer could leave you scratching your head. I know experienced talent who still play the guessing game as to who to produce their demos with. Firstly I recommend having conversations with demo producers who are recommended by industry professionals. Talk to them about their dogs, their favorite ice cream and their philosophies about the voiceover industry. Ask a lot of questions but also listen to hear whether they ask a lot of questions about who you are. Wait to see if they ask if you have a website or any work you’ve already done. A good producer will want to research you as well.

Not A Production Demo

Listen to a producers samples of past work carefully. Has the producer worked with voices like yours before? Are the demos overproduced? Remember that this is a voiceover demonstration of your voice, not a demo showcasing great overbearing production. And remember to take into account that the demo has to be a true representation of the work that you really perform as a talent. Don’t get stuck with a demo that you can’t reproduce in real life scenarios.

Your Producer Cares About The Next Step

Bonus points should be given to a demo producer if they also ask about how you are going to market your demo. Of course they may have additional services that help you at extra cost but it also shows that they have a vested interest in the final product with their name on it. Gabby offers complete voiceover career coaching so she stands by her work. For me that means I’m not getting trapped in a demo mill where I get coaching for a few weeks and then a demo whether I’m ready or not. (Tip for new professionals) I of course have been in the voiceover industry for many years so I know many producers but if you are new you probably don’t. But a voiceover demo takes time. First, extensive coaching and evaluation should be done, then a demo if the talent is shown to be ready. But I digress.

The Final Product

I got my demo back from Gabby within a week. Before listening I dialed back my excitement to allow myself to objectively critique the demo. It’s my voice and ultimately my project that represents me and so I couldn’t allow neither the pressure now the excitement to skew my opinion of the demo. Ultimately after listening, we decided to make some changes mostly to the arrangement of the pieces. Most people in the industry will advise you to put your best demo clip first. So we agreed to change the order around based on what I thought was the best. Also I allowed a few professionals to take a listen and give feedback which I factored into re-arranging. Working together Gabby and I came up with an order that we both felt truly told a story. It’s my story. It’s partly who I am and what I offer the voiceover world. Take a listen.

To Book My Professional Voiceover Services

Jeffrey Umberger
Voiceover Agent
404-372-1680
jeffrey@umbergeragency.com

Or please go to my contact page at https://danereidmedia.com/contact/

twitter.com/danereid

linkedin at https://www.linkedin.com/in/danereid/

When To Retire Your Old Voiceover Gear

Blog, Studio, The Studio

Whether you’re a Photographer, Videographer, DJ, Graphic Designer or a Voiceover Talent and Producer like myself, you can relate to the hard decision of knowing of “when to retire your old voiceover gear?” There is a old adage that says “If it ain’t broke then don’t fix it. And for many people in many industries, we stick with what we know and works for us. I’m like that to a degree. I love new things but don’t always want to put in the effort to go with the latest and greatest and so I don’t. Meanwhile the latest and greatest flashes across facebook ads and post by fellow voiceover pros who get new audio gear. And that fuels my temptations. But usually unless I really need something, I don’t switch. Recently though, the need became obvious, so I switched out my old gear.

I did a video a few years ago called “What’s in my voiceover studio?” At the time it was about how my studio of some high end gear and some low budget solutions can get you into a pretty productive voiceover career. But as of 2016 some of that gear began to wear, especially the computer. My Dell XPS from 2011 just didn’t want to do the trick anymore. So I tried to do some upgrades but after months of being in denial, it was time. So I consulted my computer guy (Gerald X– Identity Kept Secret To Protect His Family And Friends) who steered me towards a number of great PC’s that would both do audio and some video editing. After much deliberation, I picked the HP Omen because of the graphics card. I upgraded the RAM to 32 gb instantly and I was good to go.. Right? Well No.

Now I’m faced with the other problem. I had been using a single piece of old audio gear since I started my career in late 2004. I was the EMU-1616. This was my audio interface and after getting the new Omen I realized that I couldn’t just attach the EMU to it quite so easily. The place in the back where I attached the audio card in my previous computer, now had upgraded installed ports. So now I’m stuck. It means I have to upgrade yet another piece of my set-up. This wasn’t the plan.

Figuring Out Industry Standards

So I consulted with other talent via conversation and through chats online and decided that I was going to get a Focusrite Scarlett 2i2. I was ready to pull the trigger when an old friend and classmate who is a world renowned audio guy recommended the Universal Audio Apollo Twin. I read up on it and fell in love. It seemed amazing. You mean to tell me all my plug-ins being processed on a separate box and freeing up the processing power of my computer? Plus some of the cleanest audio the industry produces. This is what all the big boys (and gals) were switching to (or had already switched to) and I model myself after the big boys. But there was a slightly higher price. It was triple the price of the 2i2. But I went with it. Plus I bought plug-ins for the UAD plus Izotope RX6, Ozone 8 and Neutron 2. Throw in some video editing software and all in all I spent a good few thousand bucks. Ok more than a FEW!!! Still, I kept using my old computer for nearly a year.

I Don’t Have Time For the Learning Curve

Some of it was fear of the new shiny gear. Some of it was attachment to the old gear. But much of it was that I was too busy earning money with my old gear to learn the new gear. It was more complex than the old stuff. And I couldn’t mess up my clients voiceovers and radio commercials while I figured it all out. And my clients were happy with what they got. They didn’t notice the difference. And legacy clients definitely weren’t gonna pay me more for my steep investment. So I continued using what I knew best. I couldn’t stop the show and restart it.

Facing The Facts

I had to face the facts. As long as I stood still, I was in a state of moving backwards. Because things had progressed in my industry, audio from my collegues was getting better and mine was sounding dated. While loyal clients might not care whats in my home studio, new clients might. My Dell was in it’s last days and I had to make time and not be afraid to mess up with the new gear. When I finally did produce my first commercials with it, the audio sounded like crap. I went back to my old set up but decided not to give up on my more recent investment. So I tried again, and again and again. Finally I got it right. In looking at it, I realized that my old audio gear represented more than just equipment that I was attached to. It represented life, progress and overcoming fear.

Dane Reid is a Voice Over Talent, Event Announcer, Author, Public Speaker, Vlogger, and World Traveler. For booking visit DaneReidMedia.com

Or Contact

Jeffrey Umberger

Voice Over Talent Agent

Umberger Agency

(404) 372-1680

Vacation & Voiceover In Australia- The Movie

About Voice Over, Blog, Interviews & Insight, Travel

I had met Australians in various parts of the world; China, Thailand, Hawaii and even in South Beach. And my experience with them has always been the same…. Excellent! I had found them to be intelligent, friendly and laid back people who were relatable and worldly. And this was the conclusion that I reached long before I made the plans to actually visit. But when I arrived even I wasn’t prepared for just how hospitable they are on their own soil.

I met Marion Just, a fellow voiceover artist on LinkedIn after she saw a posting of my Vacation & Voiceover Video In Hong Kong. We messaged with one another for months as I was planning to visit Down Under. Her spirit shone even through her online presence as she reminded me of the open invitation to visit her and her husbands studio in Sydney. And I accepted.

It was a 15 hour ride from L.A. straight with no layover. American Airlines had the best direct flight but for a deal, check out China Eastern. Upon arrival, we were picked up by my cousin and his best friend and taken to the hotel where we freshened up. From there they took us to a large Aussie lunch gathering of friends and family who refused to let us pay for our own meals. I wasn’t used to this. But this was the start of Down Under hospitality that didn’t stop till we boarded the plane to go back to the States. Everyone was so friendly and so conversational and happy. I felt at home in a place I had never been.

BlackBox Voice Productions

And that spirit continued when I met Marion Just and Mark Kennedy of Blackbox Voice Productions in person. The internet is powerful but not so powerful as the connection I felt with my new friends across the Pacific. Upon arrival and the beginning of the interview, everything was just so natural. We talked about a wide range of topics in the voiceover industry including the demand for Australian voices in the marketplace, the importance of their work in helping fellow voices from around the world find work and my personal favorite, the value of educating and training in this field of voiceover.

Aside from that Mark and Marion provided great insights on the country they call home. Sydney has so much to offer and so they drove us around for a while before settling in for lunch at an area cafe in Kirribilli Village near the Sydney Harbor Bridge. We talked about everything it seemed. They gave us some good advice on where to visit when we got to Melbourne too. Mark was the one who told me about the trolley system there. We spent hours chatting and had it not been for the fact that my cousin and friend came to pick us up, it might have been hours more. By the time I left their company, I had bonded with two new great friends.

New Year’s Eve In Sydney- The Greatest Party On Earth

While the best thing about Australia is definitely the people, the New Years Eve fireworks surrounding the Sydney Harbor Bridge were also truly impressive. Growing up in New York I’d grown accustomed to great 4th of July fireworks, but it was nothing compared to how the Australians used the Bridge in their celebration. Thousands of people lined the shoreline to see what I call the best fireworks display I had ever witnessed. Even before the big show there were aerial shows and pre fireworks that kept us busy aboard the boat ride. And when the fireworks at midnight hit, it was a display that would’ve made the original Chinese fireworks inventors proud.

Great Barrier Reef

If you want to see the Reef you should probably plan for it. Don’t be like Dane. Dane is a procrastinator who flew from Sydney to Cairns without a plan. Upon arrival we scrambled to find a tour in Port Douglas that would book us for the next day. And luckily, after calling almost every tour company there, weI found one that had just a few seats available. The tour company picked us up from our not so impressive hotel in Cairns the day after arrival and drove us one hour north to to Port Douglas to catch a boat 2 hours out to the Reef. I had snorkeled before but was still overwhelmed once I hopped in the water. I’m not a strong swimmer and the water in intimidatingly deep to me. But once I overcame my fear, ie received a life jacket, there was no stopping me. Armed with my Gopro I dipped into swim along the largest living structure on earth. Underneath I saw huge turtles exotic fish and of course the reef itself. Unfortunately according to our guides, the Reef is dying due to pollution and global warming.

Melbourne

I felt very familiar with Melbourne once we arrived. It was if I had been there before. The extensive tram system reminded me of my time in San Francisco while aspects of the city like the layout took me back to Chicago and New York. It’s a big city with great food and alleyways aligned with various places to dine. Melbourne also boast a great shopping district downtown, which I resisted my natural urges to browse and of course buy from. I couldn’t resist the souvenirs there, also I passed on the Kangaroo testicle key chain.

We strolled around the city via the free city circle tram which mostly serves tourist like us in the downtown area. In every large city I have to visit the tallest building to look down. For Melbourne, this is the Eureka building which has a retractable skydeck with a glass floor so you can look down. It’s very cool. It’s also the tallest building in Australia (to rooftop) and was the 3rd tallest residential building in the world at the time of our visit.

From Melbourne there is the highly recommended Great Ocean Road Tour. The US has great road trips like Route 66. Australia has it’s version which starts in Melbourne and takes you down the coast to see some of the most beautiful sites the country has to offer. This full day tour takes you from the Port Campbell Park with some of the biggest and interesting trees to the famed and well photographed 12 Apostles rock formation which I had seen many times on screen savers. The views were great and short of the pesky and overwhelming flies, I loved it. I highly recommend it for those who want to get out of the city.

I’ll Be Back Australia

Was it all worth it? Definitely! The bragging rights alone of being among the first in the world to celebrate the New Year was worth the trip. But this country has so much to offer. The fireworks show alone was worth every penny and every hour sitting uncomfortably in 3rd class on the plane there. I’ve been many places in the world but only a few make me want to definitely go back to. And what attracts me to Australia the most are the people. The people are the friendliest that I have met in the world.

To Book My Professional Voiceover Services

Jeffrey Umberger
Voiceover Agent
404-372-1680
jeffrey@umbergeragency.com

Or please go to my contact page at https://danereidmedia.com/contact/

twitter.com/danereid

linkedin at https://www.linkedin.com/in/danereid/

Should My Facebook Page Be Personal or Professional in What I Share?

About Voice Over, Blog

Should you have a personal or professional facebook page? Facebook has done well for me in a lot of ways. It’s made a person who ordinarily struggles to reach out to friends actually keep in contact. And my facebook page is more than just a portal to my personal contacts. It’s been a great marketing tool also. I’ve been allowed to share my business with clients, potential clients and colleagues. I’ve shared this blog, helped inspire and teach other voiceover pros and “newbies and I have also learned a lot from you guys. But with 1584 friends to date, admittedly I don’t know even half of the people on my friends list.

While I wanted to have a space where I could share personally with friends and family and professionally with contacts and colleagues, those two things often conflict. My ideas, ideals and even sometimes elements of my lifestyle are not always agreeable with professionalism. Striking a balance between self expression on a page that “I own” and posting the happy go lucky kind of post that don’t scare off those who write the checks or support my blog, is tough. There are things that I have passions for outside of my career like social justice which make some people “uncomfortable.” I can hear them in my head everytime I post video of police misconduct saying “Why is Dane SO political?” And perhaps that cost me a few readers. Maybe even a few dollars. But I decided that awareness and activism was more important.

But then I learned the harsh reality of facebook algorithms and the happy happy online community. For the most part, FB chooses who you will interact with based on what they think you like and filters much of what you don’t. So what does that mean for my activism? What does that mean for my business? It means that over time they have learned me and that they have learned all of my 1500+ friends. And they have picked who not to show my post regarding either. And they have slimmed down the number of people in which I interact with to about 50 people.

Still 1500+ people still have access at anytime to what I write, to what I do, to where I am in the world and to who I date (which is the reason I don’t post my girlfriends name and am not linked to her in social media). I post unboxings of new equipment. Information about my birthday, where I grew up, my first pet and sensitive info is all on facebook and can be a hackers dream. And without thought, we give it away at random friend request. We tell who our other friends are and fill out these random surveys for kicks and giggles providing our info to anonymous app companies without thinking that sometimes this is the same info we use to recover passwords and access Equifax reports.

With all that in mind I have decided to evaluate how I use social media. I post less of my thoughts and info about my personal life. I’ve covered up my friends list to protect others from hackers and profile thieves. And I participate overall less, which has refocused my energy on my business and personal peace and less on the frequent debates they I found myself in. Additionally I’ve suspended accepting every friend request, often taking a month or more to even look at new friends. While I’ve accepted 100 new friends this year, according to fb, I have rejected 2 to 3 times that many, instead choosing myself who I’ll actually interact with so facebook won’t have to do it for me. And I’ve even started eliminating friends who don’t interact with me or post things frequently that I strongly differ with.

This filter system has slowly been working for me. And recently I was reminded of exactly why I began rejecting people as friends. When a recent request by someone in my industry was rejected, I was childishly confronted through messenger by the rejected “friend”. I screened this person’s (Dan B.) page and found that while we were in the same industry, we were not of the same mindset. I found some of his post offensive and decided that we would not be a good match as friends and based on his follow up, my instincts were right. He attempted to dangle a carrot at me as if not being friends with him cost me a job as an “African American Voice” not knowing that I was touring Europe with little time to dedicate to new clients. So I suggested he find someone else.

While I could go on about the individual issue with Dan B, he is more just a symptom of the problem we face as professionals on social media. Who do we let in? What do we let out? And how do we decide? I have decided that less is more.

To reach me professionally please go to my website at https://danereidmedia.com/contact/ or twitter.com/danereid or linkedin at https://www.linkedin.com/in/danereid/. But to be friends, please wait in cue and endure the process. As for Dan B, someone let him know I’m doing just fine.